Dr. Jean Morris

Writer and Researcher, Medievalist and Maker

©Naomi Woddis 2022

Research Interests

My research focuses on how and why violence arises between different cultures, prompting either voluntary or forced migrations. I track all junctures of the migratory journey from crossing borders to being lost at sea and attend to when and how violence occurs along the migratory route. The way that the body in flight sustains injury and then either remembers or forgets it, has led me to study trauma and its relation to history as well as emotions and their cultural production. I’m also invested in discovering how violent political events play out in domestic spaces as well as how they impact different genders in different ways.

My PhD focused on the early decades of the Spanish Inquisition. It explored how that fearsome institution targeted women and drove many to migrate. I draw attention to continuities between how women experience migration in the present day, and how it was experienced in the late medieval period. Themes such as ‘radicalisation’, ‘border crossing’, and ‘promised land visions’ are all topics I cover in the research.

Creative Interests

I am always looking for different ways to complement academic research with creative practices and I am part of a growing group of scholars who operate within the genre of the ‘creative critical’. My research actively seeks out vulnerable persons trapped in historical documents who have either been exploited or silenced through political or ideological denunciation. I use a number of creative techniques to enable the retelling of such stories. They include fictional biography, poetry, collaging and more recently I have been working on ceramic sculpture.

Areas of Expertise

  • Migration: women’s experiences, both historical and contemporary

  • The Spanish Inquisition, 1478-1524: specifically women’s experiences of the Inquisition

  • Creative Critical Writing: hybrid forms of narrative that blend biography, history, memoir and fiction

  • Creative Critical Making: Installations that merge text, sound and image or sculpture

  • Critical and Cultural Theory: includes writers such as Walter Benjamin on history and violence, Lauren Berlant on affect and optimism, Judith Butler on precarity, Jane Bennett on the vitality of ‘things’, Sara Ahmed on emotions and Saidiya Hartman on ‘critical fabulation’, or creative history writing.

Contact

If you would like to contact me about teaching, researching, press enquiries or editorial services, then do drop me a line here.